The Center for Movement Education and Research (CMER) is a non-profit
corporation which
was established in 2003 to promote education in movement and dance as
a creative and
integrated source for improving educational, medical, social and cultural
domains.
CMER has an advisory board of nationally and internationally recognized
dance/movement
educators, teachers, dance/movement therapists, dance artists, medical
doctors,
psychologists and university dance professors.
CMER DMT Faculty Members
Pamela Fairweather,
BC-DMT, NCC DMT Director of Southern California
Courses
Pamela Fairweather is
the CMER DMT Director of Southern California Courses and a DMT
faculty member. In addition to many years of clinical practice,
Pamela has held faculty positions at UCLA and CSULB, served on
the Board of Directors of the American Dance Therapy Association
as the Committee Chair of Education, Research & Practice,
and served on the Editorial Board of the Arts in Psychotherapy
Journal.
Janet Lester, Psy.D.,
BC-DMT
DMT Director Of Northern California Courses
Dr. Janet Lester is the CMER DMT Director
of Northern California Courses and a DMT faculty member. Dr.
Lester is a psychologist and dance/movement therapist who specializes
in working with children and adolescents in school and mental
health settings. She is currently Assistant Vice President
of the Family Resource Center at Hathaway- Sycamores Child
and Family Services, a community based prevention and intervention
program for children and adolescents. Janet has extensive professional
experience supervising dance/movement therapy interns.
Judy Gantz, MA, CMA
- CMER Director & Founder
Judy Gantz is the Founder and Director of
CMER. Judy taught and developed curriculum at UCLA (1982 to
2005). Alongside a strong academic career, Judy was the former
Fitness Editor for Shape magazine, Co-Editor of Kinesiology
for Dance, and she is a Certified Laban Movement Analyst.
Kathy Cass, MA, BC-DMT,
NCC, CYT, E-RYT 500
is a board certified dance/movement therapist,
nationally certified counselor, and a certified yoga therapist
with over 25 years of instructional and clinical experience
with a variety of populations. She has expertise as a long-standing
director of a non-profit therapeutic dance/yoga organization
as well as a movement/yoga consultant for numerous institutions
and individuals. Kathy is a member and head of the BC-DMT Certification
Committee for the American Dance Therapy Association. She has
been a guest lecturer at Scripps College, CMER at Loyola Marymount
University and Tiverton House at UCLA.
Kathy
is currently a part-time faculty member at Santa Monica College
Emeritus Division and an Advisory Board Member for CSUF Extended
Education in Expressive Arts Therapies. She also maintains
a private practice including group and individual supervision
in Santa Monica, CA. She has also been choreographer/movement
consultant for local theater and off- Broadway productions.
Karen Clippinger,
M.S.P.E.
Karen Clippinger received her masters in
Exercise Science from the University of Washington and currently
is a professor at California State University, Long Beach.
She has worked for over 20 years in the areas of injury prevention
and rehabilitation for dance and sports. Ms. Clippinger has
worked with hundreds of dancers including members of the Joffrey,
Mark Morris, Bill Evans and Alwin Nikolais companies. She has
also consulted for the U.S. Weightlifitng Federation, U.S.
Race Walking Team, the California Governor's Council on Physical
Fitness and Sports, and various sports medicine clinics and
fitness facilities. Ms. Clippinger is a well published in the
areas related to dance and sports kinesiology. She wrote a
monthly column for Shape Magazine, was co-editor-in-chief of
the Journal for Dance Medicine and Science from 1996-2005,
and recently completed her textbook titled Dance Anatomy and
Kinesiology.
Suzanne Ecker, LMFT,
BC-DMT
is a CMER DMT faculty member, dance/movement
therapist and psychotherapist in private practice. She has taught
courses at CSULB and Santa Monica College, lectured at the Phillips
Graduate Institute, and the Jung Institute of Los Angeles, and
provided services to a number of hospitals and agencies. She
is currently training to become an analyst at the C. G. Jung
Institute of Los Angeles.
Forest Franken, BC-DMT,
MA, MFA
is a CMER DMT faculty member in northern
California. Forest received both her M.A. in dance/movement
therapy (1995) and her M.F.A. in choreography (2003) from UCLA.
Her work as a dance/movement therapist spans thirteen years
in inpatient psychiatric hospitals, intensive outpatient programs,
and rehabilitation facilities with adolescents, adults, and
seniors.
She moved to the bay area in 1998 to study
the discipline of Authentic Movement with Janet Adler whom
she mentored with for nine years. From 2001-2008, she worked
at UCSF/Langley Porter Psychiatric Hospital and Clinics where,
as inpatient supervisor to chaplain interns, she explored the
integration of spirituality, dance/movement therapy, and dialectical
behavioral therapy, and as facilitator of pain management groups,
focused on the applications of dance/movement therapy and Authentic
Movement principles with individuals navigating the challenges
of living with chronic pain.
Her current focus involves the teaching
of Authentic Movement with attention to the discipline as a
vehicle for creative work and for containing and expressing
life changes/losses related to the body.
Gabrielle Kaufman,
MA, BC-DMT, NCC
is a CMER faculty member, dance/movement
therapist and counselor with close to twenty years experience
in the helping profession. She has taught creative movement
to preschoolers and elementary school students, has used DMT
with the elderly, Holocaust survivors, adults with mental illness,
individuals with eating disorders and body image
issues, with teens at high risk and other individuals suffering from anxiety
and depression.
Currently, she is the coordinator of the
New Moms Connect Program of Jewish Family Service of Los Angeles.
She has run several programs for high risk children and teens
in both English and Spanish languages, taught classes to parents
of newborns and toddlers, and runs support groups for single
parents, women with eating disorders and women with perinatal
mood disorders. She has served as the national credentialing
chair for the American Dance Therapy Association, and is a
coordinator with Postpartum Support International and has a
private practice in Los Angeles.
Berti Klein,
MA, MCAT, MSS, NCC, BC-DMT
has spent over 35 years studying and facilitating
many aspects of Dance, Movement, Dance/Movement Therapy, Authentic
Movement, Somatic Psychology, Counseling, Bodywork, Meditation,
and the Body-Mind-Emotion-Spirit relationship. She holds five
Masters degrees and will receive a Doctorate in Spiritual Science
in June, 2011. Additionally, she has a background in Nurturing
Touch having studied and presently practicing CranioSacral,
Polarity, Oriental Medicine, Shiatsu, Jin Shin, and Chi Gong.
These are lovely additions to her DMT work.
Berti has facilitated Dance/Movement Therapy
in many types of health and healing centers, businesses, and
other organizations, with children, adults and geriatric populations.
She also has worked in elementary schools with children, teachers,
staff and parents. Berti has supervised many students in various
fields and currently consults and has a private practice in
Santa Monica, California, including working with terminally
ill clients and their caretakers.
Her teaching career has included courses
at Yale University, University of Santa Monica, Hahnemann Medical
University (now a part of Drexel University), and the National
University of Mexico. She also facilitates workshops, trainings,
classes, and seminars throughout the United States, Europe
and Latin America.
Dawn Lyon, MA, BC-DMT
Dawn Lyon is a CMER DMT faculty member, and
has over twenty-five years of experience working as a dance/movement
therapist with adults in in-patient psychiatric, day treatment
and residential facilities and with children, adolescents, and
seniors in in-patient settings. She developed the dance/movement
therapy internship training program at Metropolitan State Hospital
where she is currently on staff.
Janice Meaden, MA, CLMA,
RSMT
Janice Meaden is a CMER faculty member, and
the Director, and faculty of the Integrated Movement Studies Certificate
Program in Laban/Bartenieff Movement Studies at the University
of Utah where she holds the position of Adjunct Assistant Professor
in the Department of Modern Dance. She is a Certified Laban/Bartenieff
Movement Analyst, a Registered Somatic Movement Therapist and
a Body-Mind Centering Practitioner.
Shira Musicant, LMFT,
BC-DMT, SEP
Shira Musicant is a Board Certified Dance/Movement
Therapist, Somatic Experiencing Practitioner, and body centered
psychotherapist. She has been licensed as a marriage and family
therapist since 1985. With over twenty-five years of clinical
experience, she has taught, led workshops, and published in the
fields of dance/movement therapy and Authentic Movement. Shira
has extensive hospital and agency experience with a range of
psychiatric and medical patients, and is currently in private
practice, working with people recovering from both developmental
and acute trauma..
Paula Perlman, BC-DMT,
LMFT, CLMA
Paula Perlman, is a CMER faculty member,
a Board Certified Dance/Movement Therapist (BC-DMT), a Licensed
Marriage & Family Therapist (LMFT) and a Certified Laban
Movement Analyst (CLMA). Paula is a member of American Dance
Therapy Association, Dance and the Child International (daCi)
and the California Association of Marriage and Family Therapy
(CAMFT). She has been practicing Dance/Movement Therapy for
the past 25 years and has been in movement education for 16
years.
Paula has worked as a facilitator of a Dance
Therapy group for seniors and has taught Creative Movement
with inner city children at a downtown Los Angeles art center
since 2002 and has taught Creative Movement at a child-initiated
private school since 1993, pre K-5th. She expanded her studies
of choreography at the University of California, Los Angeles,
and dance/movement improvisation, “Logomotion,” with
Simone Forti for six years. Additionally, she has twelve years
experience as a participant in an Authentic Movement group.
Paula
has co-created a Professional Development program titled, “How
to Use Movement in the Classroom to teach Art and the Curriculum
K-5th.” She is planning on teaching her skills as a
Dance/Movement Therapist and Creative Movement teacher in Peru
to teachers and students. As an integration of her movement
work she presently leads retreats for adults focusing on Creative
Process, Creative Movement and Authentic Movement..